A map does not just chart, it unlocks and formulates meaning; it forms bridges between here and there, between disparate ideas that we did not know were previously connected. ... Reif Larsen, The Selected Works of T S Spivet.
Tag Archives: Opera
What I’ve Been Singing: Le Spectre de la Rose: Les Nuits d’Eté: Berlioz
I had a first-time try last Friday at singing some of the songs from Hector Berlioz’ song cycle Les Nuits d’Eté (Summer Nights) the texts for which came from six poems composed by Theophile Gautier.
I’ve had a CD for some years of the song cycle recorded by the late great Janet Baker, so I was not entirely unfamiliar with it. I never thought at the time that I’d one day be singing it.
The theme of the cycle is love, its progress from innocence to loss and renewal. The second song of the cycle, Le Spectre de la Rose, began as a work for piano – Afforderung zum Tanz (Invitation to the Dance) – written, in 1819, by Carl Maria von Weber. Continue reading
Posted in Music, Opera, Romanticism, Singing
Tagged Ballet, Ballets Russes, Berlioz, Diaghilev, Invitation to the Dance, Le Spectre de la Rose, Les Nuits d'Eté, Nijinsky, Opera, Romanticism, Singing, Song Cycle, Weber
Leave a comment
Singing in a Sling: Elle a Fui la Tourterelle: Les Contes d’Hoffmann: Offenbach
I can sing, in a sling!
I had a go at this aria a couple of weeks ago. There are many versions on You Tube. I like this interpretation because it is excerpted from a staged opera and thus live rather than studio recorded, or performed as part of a recital; and Diana Damrau has such a meaty dramatic voice.
The Tales of Hoffmann is an opera in three acts composed by Jacques Offenbach. Elle a Fui … is Antonia’s aria from the second act. Its most famous aria is from act 3, Belle nuit, ô nuit d’amour, sung by the character Giulletta. Continue reading
Posted in Music, Opera, Singing
Tagged Hoffmann, Offenbach, Opera, opera fantastique, Singing
Leave a comment
What I’m Singing: Non Lo Diro Col Labbro
This is an excerpt from the 1996 film version of Jane Austen’s Emma, with Emma (Gwyneth Paltrow) duetting charmingly with Frank Churchill (Ewan McGregor). The song is an English version of a Handel aria, Non Lo Diro Col Labbro. The English song wasn’t created, however, until 100 years after Jane Austen wrote Emma. Ah, well, poetic licence … Continue reading
Posted in Music, Opera, Singing
Tagged Alto Castrato, Castrato, Countertenor, David Walker, Ewan McGregor, Farinelli, Gwyneth Paltrow, Handel, Jane Austen, Non Lo Diro Col Labbro, Opera, Ptolemy, s Emma, Senesino, Singing, Soprano Castrato, Tolomeo
5 Comments
What I’ve been Singing: Ebben! La Wally: Catalani
An opera in four acts by Alfredo Catalani (1854-1893), La Wally presents a romeo-juliet situation in which our heroine – Wally – (short for Wallburga) is in love with Giuseppe, the son of an enemy of her father. It’s set … Continue reading
Posted in Music, Opera, Singing
Tagged Alfredo Catalani, Ebben, La Wally, Maria Callas, Opera, Screech Owl, Wilhelmine von Hillern
Leave a comment
NaBloPoMo XXVIII: It isn’t Over till the Fat Lady Sings
“It isn’t over till the fat lady sings”
I won’t get time to write tomorrow, so I’m doing it today. Tomorrow I have a singing lesson in the morning and then in the evening, a rehearsal for the concert on Saturday. In between, I’ll probably need to lie down … Anybody who thinks singing isn’t a physical activity, … wrong! I know, it isn’t over till the fat lady sings – there is this lingering image of sopranos as large ladies. Continue reading
Posted in Music, Opera, Singing
Tagged Birgit Nilsson, Deborah Voight, Götterdämmerung, Liebestod, Maria Callas, NaBloPoMo, Opera, Richard Strauss
Leave a comment
Poetic Mapping: Walking Into Art 