- 75,770 hits
- Natural Dyeing and Eco Printing in Winter: Honesty and Hops I February 1, 2021
- Japanese Anemone 2011 October 18, 2020
- A Lot of Edges Called Perhaps September 23, 2020
- Work in Progress September 5, 2020
- Natural Dyeing: Making Green September 2, 2020
- Aesthetics Allotmenteering Art Artist Books Artist Sketchbooks Art Journal Christian writing Collage & Assemblage Creativity Dialogue Drawing Eco/Natural Dyeing and Printing Ecology Encaustic Art Folklore & Mythology Inspiration Mixed Media Music Nature Journal Photography Printmaking Research Science Short Story Writing Singing Singing Sacred spirituality Stitch Walking Writing
Tag Archives: Monoprint
First Art from Beyond The Great Transition: Eco Collographs with Healing Sumac and Turmeric, Light and Emily Dickinson
Picking up from where I left off before The Great Transition – which has taken all of six months and still living in some chaos – I was very happy to find a few hours to make a batch of … Continue reading →
Eco Collograph – it seems I’ve invented the term, which is nice if it’s true since I rarely invent anything. I poke around – books, bookshops, art galleries, the Internet – find and adapt. Which is exactly how Eco Collographs … Continue reading →
The image collaged into this page has arisen from a digital photograph manipulated using Photoshop Elements and then further developed using the Japanese paper-strengthening technique known as Momigami. I love the added texture created using this technique. I’m going to … Continue reading →
I had managed to ruin these two postcard-sized eco prints – which came out of a January batch of bundles – by adding too much encaustic wax. Drenched would be the appropriate verb to use.
They turned black and hard, like they had been smoked over an open fire. The leaf patterning was obliterated, except when held up to light.
Eco Print on Khadi Paper 15 February 2015I laid them aside, knowing I ought to dispose of them,but couldn’t.
I forgot about them. Then yesterday the idea came to me that I should … Continue reading →
“Walking was an essential component of our work. There was music. There were rich silences. Times of deep listening, experiential drawing and the gathering of “gorgeous nothings”…spontaneous poetry noted while wandering as well as performances of aleatory poetry created by reading together.”
Is this Heaven? This is Australian artist India Flint talking about the first of some masterclasses she held this year in Newburgh, a village on the banks of the River Tay (Scotland). It was a site-specific four-day intensive focussing on “… the deep experience of place through immersion in this very particular tidal riparian landscape.” She explains, … Continue reading →