I’ve just performed at the first virtual concert of the Self-Isolation Choir Summer School. It was a week learning and rehearsing – under the guidance of musical director Ben England – a selection of works from the repertoire of the great John Rutter and included the beautiful A Clare Benediction.
The next week of the summer school will include Patrick Hawes’ and Andrew Hawes’ (lyrics) sublime Quanta Qualia. And Patrick will be directing it personally. I’m a huge fan of Patrick Hawes and had the privilege of singing, a few years back, the UK premiere of his magnificent Te Deum.
It’s been a bit hectic as I’d thought the Summer School was in August and then discovered it was in June and I’m also doing three other hands-on courses, so juggling the art and the music has been difficult, but I like this very close proximity – and blending – of the two disciplines and they speak to each other.
It’s trite to say that music and art are interconnected – the terms Colour and Tone, for instance, are referenced in both visual art and musical contexts – but I’ll say it anyway.
Neither do I have to mention Kandinsky – the first artist to create artworks (often calling them Improvisation or Composition ) directly influenced by music – but I will.
Not trite is this Kandinsky app that enables you to draw shapes and colours which then can be played back as music. It’s been developed by Chrome Music Lab – an innovative web site for learning music through hands-on experiments. The app should have an extremely addictive warning. The entire site. Whatever you do, don’t visit the Songmaker page.